<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Walter Matthau - vo.rs</title><link>https://vo.rs/tags/walter-matthau/</link><description>Latest from the Walter Matthau desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Mon, 08 Jun 2026 10:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/walter-matthau/" rel="self" type="application/rss+xml"/><item><title>Charley Varrick: The Last Independent Against the Mob</title><link>https://vo.rs/screen/charley-varrick-the-last-independent-against-the-mob/</link><description>&lt;p&gt;Don Siegel called &lt;em&gt;Charley Varrick&lt;/em&gt; (1973) one of the films he was proudest of, and it is easy to see why. It is a crime picture built entirely out of competence — the hero&amp;rsquo;s, the villains&amp;rsquo;, and above all the director&amp;rsquo;s — and it moves with the unfussy professionalism it keeps praising in its characters. Coming a year after Siegel and Clint Eastwood remade the American cop movie with &lt;em&gt;Dirty Harry&lt;/em&gt;, this is the quieter, cannier cousin: a small, hard, funny thriller about a man who accidentally steals from people you cannot steal from, and has to out-think everybody in the frame to stay alive. Its unlikely secret weapon is Walter Matthau, playing dead straight, in a role he reportedly never warmed to and never bettered.&lt;/p&gt;</description><pubDate>Mon, 08 Jun 2026 10:00:00 +0000</pubDate></item></channel></rss>