<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Walerian Borowczyk - vo.rs</title><link>https://vo.rs/tags/walerian-borowczyk/</link><description>Latest from the Walerian Borowczyk desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Fri, 21 Feb 2025 11:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/walerian-borowczyk/" rel="self" type="application/rss+xml"/><item><title>Immoral Tales: Borowczyk's Anthology of Art and Provocation</title><link>https://vo.rs/screen/immoral-tales-borowczyks-anthology-of-art-and-provocation/</link><description>&lt;p&gt;Walerian Borowczyk is the most respectable disreputable director in European cinema, and &lt;em&gt;Immoral Tales&lt;/em&gt; (&lt;em&gt;Contes immoraux&lt;/em&gt;, 1973) is the film where the two reputations collide hardest. A Polish animator revered by the art-house intelligentsia — Cocteau-adjacent, feted at festivals, a man who made short films that Terry Gilliam and the Brothers Quay would later cite as scripture — turned to feature-length erotica in the early 1970s and spent the rest of his career being quietly shelved under the wrong heading. &lt;em&gt;Immoral Tales&lt;/em&gt; is the pivot. Watch it for the provocation and you will miss the point; watch it for the design and you find one of the most formally exact objects the erotic cinema of the decade produced.&lt;/p&gt;</description><pubDate>Fri, 21 Feb 2025 11:00:00 +0000</pubDate></item></channel></rss>