<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Vincenzo Natali - vo.rs</title><link>https://vo.rs/tags/vincenzo-natali/</link><description>Latest from the Vincenzo Natali desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Sun, 20 Jul 2025 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/vincenzo-natali/" rel="self" type="application/rss+xml"/><item><title>Cube: The Trap Film That Launched a Genre</title><link>https://vo.rs/screen/cube-the-trap-film-that-launched-a-genre/</link><description>&lt;p&gt;A man wakes in a cube-shaped room with a hatch in every wall — six doors leading to six identical rooms, each with six more doors, a lattice of cells stretching in every direction with no visible edge and no explanation. He climbs through one. It kills him: a grid of wires slices him into neat falling cubes before he has finished stepping across the threshold. The title card appears. &lt;em&gt;Cube&lt;/em&gt; (1997), Vincenzo Natali&amp;rsquo;s debut feature, has spent ninety seconds establishing its entire universe, its lethal logic, and the impossibility of escape, and it has not yet introduced a single character who will survive to the credits.&lt;/p&gt;</description><pubDate>Sun, 20 Jul 2025 09:00:00 +0000</pubDate></item></channel></rss>