<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Transgressive Cinema - vo.rs</title><link>https://vo.rs/tags/transgressive-cinema/</link><description>Latest from the Transgressive Cinema desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Mon, 18 Sep 2023 11:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/transgressive-cinema/" rel="self" type="application/rss+xml"/><item><title>Pink Flamingos: John Waters and the Art of Bad Taste</title><link>https://vo.rs/screen/pink-flamingos-john-waters-and-the-art-of-bad-taste/</link><description>&lt;p&gt;There is a photograph John Waters likes to reproduce: Divine, three hundred pounds of drag menace in a skin-tight red dress, cheekbones drawn up towards the temples in that famous shark&amp;rsquo;s-fin makeup, strolling down a Baltimore street as though she owned the pavement and everyone on it. That image is the whole film in miniature. &lt;em&gt;Pink Flamingos&lt;/em&gt;, shot in 1972 for something close to ten thousand dollars, is a work of enormous confidence dressed in the cheapest clothes it could find. Half a century on, its reputation rests almost entirely on its final ninety seconds, which is a shame, because the ninety minutes before it are a far stranger and more disciplined piece of filmmaking than its status as a gross-out dare suggests.&lt;/p&gt;</description><pubDate>Mon, 18 Sep 2023 11:00:00 +0000</pubDate></item></channel></rss>