<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>The Exorcist - vo.rs</title><link>https://vo.rs/tags/the-exorcist/</link><description>Latest from the The Exorcist desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Sat, 27 Jan 2024 14:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/the-exorcist/" rel="self" type="application/rss+xml"/><item><title>The Possession-Film Canon</title><link>https://vo.rs/screen/the-possession-film-canon/</link><description>&lt;p&gt;Possession is the horror of losing the one thing you assumed was yours to keep: the self, the body, the private space behind the eyes. Where the haunted-house film puts the horror in a building and the monster film puts it in a creature, the possession film puts it inside a person you love, and turns the sufferer into both victim and monster at once. It is also the genre most nakedly about belief. To be possessed presupposes a spirit, a demon, a soul worth stealing, and so these films are forever staging arguments between faith and reason with a girl&amp;rsquo;s contorted body as the debating chamber. The subgenre&amp;rsquo;s recent religious turn, and why it keeps returning, I unpack in &lt;a href="https://vo.rs/screen/the-possession-film-and-the-return-of-the-religious/"&gt;the return of the religious&lt;/a&gt;.&lt;/p&gt;</description><pubDate>Sat, 27 Jan 2024 14:00:00 +0000</pubDate></item></channel></rss>