<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Tahar Rahim - vo.rs</title><link>https://vo.rs/tags/tahar-rahim/</link><description>Latest from the Tahar Rahim desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Fri, 13 Jun 2025 11:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/tahar-rahim/" rel="self" type="application/rss+xml"/><item><title>A Prophet: Audiard's Prison as a University of Crime</title><link>https://vo.rs/screen/a-prophet-audiards-prison-as-a-university-of-crime/</link><description>&lt;p&gt;Most prison films are about survival. &lt;em&gt;A Prophet&lt;/em&gt; is about tuition fees. Jacques Audiard&amp;rsquo;s 2009 film follows Malik El Djebena, a nineteen-year-old French-Algerian who arrives at a French penitentiary with a six-year sentence, no family visiting, no reading skills worth the name, and no protection. He leaves — over the length of the film, in real time that feels like an apprenticeship — as the most dangerous man in the building. What happens between those two points is one of the great screen educations, and Audiard shoots it as exactly that: a curriculum, delivered under duress, in a place designed to teach nobody anything.&lt;/p&gt;</description><pubDate>Fri, 13 Jun 2025 11:00:00 +0000</pubDate></item></channel></rss>