<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Sylvia Kristel - vo.rs</title><link>https://vo.rs/tags/sylvia-kristel/</link><description>Latest from the Sylvia Kristel desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Thu, 29 Feb 2024 12:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/sylvia-kristel/" rel="self" type="application/rss+xml"/><item><title>Emmanuelle: The Softcore Hit That Played the Multiplex</title><link>https://vo.rs/screen/emmanuelle-the-softcore-hit-that-played-the-multiplex/</link><description>&lt;p&gt;In 1974 a French sex film opened in a respectable Paris cinema and simply refused to close. &lt;em&gt;Emmanuelle&lt;/em&gt;, directed by the former fashion photographer Just Jaeckin, ran for years on the Champs-Élysées, became one of the most commercially successful films France had ever produced, and did something no sex picture had quite managed before: it made the genre chic. Couples went. Critics debated it. The poster — a young woman in a wicker peacock chair — became one of the most reproduced images of the decade. Softcore had put on a silk dressing gown and walked through the front door of the multiplex.&lt;/p&gt;</description><pubDate>Thu, 29 Feb 2024 12:00:00 +0000</pubDate></item></channel></rss>