<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Surrealism - vo.rs</title><link>https://vo.rs/tags/surrealism/</link><description>Latest from the Surrealism desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Wed, 04 Mar 2026 12:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/surrealism/" rel="self" type="application/rss+xml"/><item><title>The Holy Mountain: Jodorowsky's Alchemical Provocation</title><link>https://vo.rs/screen/the-holy-mountain-jodorowskys-alchemical-provocation/</link><description>&lt;p&gt;&lt;em&gt;The Holy Mountain&lt;/em&gt; (1973) exists because a Beatle liked &lt;em&gt;El Topo&lt;/em&gt;. That is the short version of one of the strangest financing stories in cinema: John Lennon and Yoko Ono, evangelised by Alejandro Jodorowsky&amp;rsquo;s midnight-movie sensation, leaned on Allen Klein&amp;rsquo;s ABKCO to bankroll whatever the Chilean provocateur wanted to make next. What he wanted to make was a million-dollar avant-garde epic about the alchemical transformation of the soul, staffed by non-actors he had reportedly put through weeks of spiritual and physical training, and ending on a gesture designed to detonate the very cult that had funded it. It is the most beautiful hostile act in the history of cult film, and half a century on it has lost none of its capacity to dazzle and offend in the same breath.&lt;/p&gt;</description><pubDate>Wed, 04 Mar 2026 12:00:00 +0000</pubDate></item></channel></rss>