<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Spanish Cinema - vo.rs</title><link>https://vo.rs/tags/spanish-cinema/</link><description>Latest from the Spanish Cinema desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 06 Jan 2026 10:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/spanish-cinema/" rel="self" type="application/rss+xml"/><item><title>Timecrimes: Spanish Time Travel on a Shoestring</title><link>https://vo.rs/screen/timecrimes-spanish-time-travel-on-a-shoestring/</link><description>&lt;p&gt;Most time-travel films spend their money apologising for the time travel. They build the chrome corridor, they hire the physicist to explain the corridor, they cut to a wall of monitors so a technician can gasp at a readout. Nacho Vigalondo&amp;rsquo;s &lt;em&gt;Los Cronocrímenes&lt;/em&gt; — released internationally as &lt;em&gt;Timecrimes&lt;/em&gt; in 2007 — spends nothing, explains nothing, and ends up more rigorous than almost any studio picture in the genre. It is a feature debut shot around a single house and the wooded hillside behind it, with a cast you could count on one hand and a time machine that looks like a domestic water tank filled with milk.&lt;/p&gt;</description><pubDate>Tue, 06 Jan 2026 10:00:00 +0000</pubDate></item></channel></rss>