<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Spaghetti-Western - vo.rs</title><link>https://vo.rs/tags/spaghetti-western/</link><description>Latest from the Spaghetti-Western desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Fri, 18 Apr 2025 13:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/spaghetti-western/" rel="self" type="application/rss+xml"/><item><title>The Spaghetti Western's Debt to the Samurai Film</title><link>https://vo.rs/screen/the-spaghetti-westerns-debt-to-the-samurai-film/</link><description>&lt;p&gt;In 1964 Sergio Leone made a low-budget Western in Spain called &lt;em&gt;Per un pugno di dollari&lt;/em&gt;, sold it across Europe under a stack of Anglicised pseudonyms, and turned a television actor named Clint Eastwood into the most famous squint in cinema. He also, quite plainly, stole it. &lt;em&gt;A Fistful of Dollars&lt;/em&gt; is Akira Kurosawa&amp;rsquo;s &lt;em&gt;Yojimbo&lt;/em&gt; (1961) transposed almost scene for scene from a lawless Japanese town to a lawless Mexican border town, the ronin&amp;rsquo;s sword swapped for the drifter&amp;rsquo;s revolver. Kurosawa noticed. Toho, his studio, sued, and they won — Kurosawa reportedly told Leone that it was a fine film, but it was &lt;em&gt;his&lt;/em&gt; film, and he collected a percentage and the Japanese distribution rights for his trouble. He is said to have made more from &lt;em&gt;A Fistful of Dollars&lt;/em&gt; than he made from &lt;em&gt;Yojimbo&lt;/em&gt; itself.&lt;/p&gt;</description><pubDate>Fri, 18 Apr 2025 13:00:00 +0000</pubDate></item></channel></rss>