<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Sidney Lumet - vo.rs</title><link>https://vo.rs/tags/sidney-lumet/</link><description>Latest from the Sidney Lumet desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Mon, 24 Jun 2024 10:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/sidney-lumet/" rel="self" type="application/rss+xml"/><item><title>Dog Day Afternoon: The Heist That Became a Circus</title><link>https://vo.rs/screen/dog-day-afternoon-the-heist-that-became-a-circus/</link><description>&lt;p&gt;There is a moment about forty minutes into &lt;em&gt;Dog Day Afternoon&lt;/em&gt; (1975) when Al Pacino&amp;rsquo;s Sonny Wortzik walks out of a besieged Brooklyn bank, sees a crowd of onlookers being pushed back by police, and starts working them like a stand-up comic. He waves. He tosses money into the air. He starts a chant — &amp;ldquo;Attica! Attica!&amp;rdquo; — and the mob answers him. A stick-up has turned into street theatre, and the robber has become a folk hero on live television. Nearly fifty years on, that scene still describes the exact machinery of American celebrity better than almost anything filmed since.&lt;/p&gt;</description><pubDate>Mon, 24 Jun 2024 10:00:00 +0000</pubDate></item></channel></rss>