<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Scandinavian-Metal on vo.rs</title><link>https://vo.rs/tags/scandinavian-metal/</link><description>Recent content in Scandinavian-Metal on vo.rs</description><generator>Hugo</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 17 Mar 2026 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/scandinavian-metal/index.xml" rel="self" type="application/rss+xml"/><item><title>Norwegian Black Metal: Corpse Paint, Cold Forests, and a Very Dark Chapter</title><link>https://vo.rs/encore/norwegian-black-metal/</link><pubDate>Tue, 17 Mar 2026 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/norwegian-black-metal/</guid><description>&lt;p&gt;The story of Norwegian black metal is two stories tangled together, and any honest account has to keep hold of both. One is about a small group of young musicians in early-1990s Norway who invented a genuinely new and powerful strain of extreme music, cold and atmospheric and unlike anything before it. The other is about arson, and a murder, and a set of real crimes committed by some of those same people. The music is remarkable. The crimes were crimes. Pretending either fact away produces a lie, so this piece holds both at once.&lt;/p&gt;</description></item></channel></rss>