<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Saramago - vo.rs</title><link>https://vo.rs/tags/saramago/</link><description>Latest from the Saramago desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Mon, 29 Jun 2026 10:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/saramago/" rel="self" type="application/rss+xml"/><item><title>Enemy: Villeneuve's Spider, the Double, and the Dread</title><link>https://vo.rs/screen/enemy-villeneuves-spider-the-double-and-the-dread/</link><description>&lt;p&gt;Denis Villeneuve is now the most reliable maker of large, serious science fiction alive — &lt;em&gt;Arrival&lt;/em&gt;, the two &lt;em&gt;Dune&lt;/em&gt; films, &lt;em&gt;Blade Runner 2049&lt;/em&gt; — a director trusted with the biggest canvases in the genre. &lt;em&gt;Enemy&lt;/em&gt;, made in 2013 in the gap before all of that, is the film that explains him, and it is the least like any of them: small, sick-yellow, sparsely scored, ninety minutes of mounting dread with barely a plot to hold on to. It is the one where you can watch him work out, in private, the obsessions the blockbusters would later dress in scale. If you want to know what Villeneuve is actually afraid of, this is the file.&lt;/p&gt;</description><pubDate>Mon, 29 Jun 2026 10:00:00 +0000</pubDate></item></channel></rss>