<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Sarah Snook - vo.rs</title><link>https://vo.rs/tags/sarah-snook/</link><description>Latest from the Sarah Snook desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Sun, 23 Nov 2025 10:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/sarah-snook/" rel="self" type="application/rss+xml"/><item><title>Predestination: The Heinlein Loop, Filmed Faithfully</title><link>https://vo.rs/screen/predestination-the-heinlein-loop-filmed-faithfully/</link><description>&lt;p&gt;Robert A. Heinlein published a short story in 1959 that has haunted science fiction ever since, a piece of clockwork so tightly wound that most writers regard it as unfilmable. It runs a single character through a time loop of such perfect closure that adapting it would seem to require either butchering the mechanism or losing the emotion. In 2014 two Australian brothers, Michael and Peter Spierig, made &lt;em&gt;Predestination&lt;/em&gt; and did the almost unthinkable thing: they filmed Heinlein&amp;rsquo;s story nearly straight, kept the machinery intact, and found the human ache the original had always implied. It is one of the most faithful, and one of the strangest, science-fiction adaptations of its decade.&lt;/p&gt;</description><pubDate>Sun, 23 Nov 2025 10:00:00 +0000</pubDate></item></channel></rss>