<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Proto-Slasher - vo.rs</title><link>https://vo.rs/tags/proto-slasher/</link><description>Latest from the Proto-Slasher desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Sat, 21 Feb 2026 08:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/proto-slasher/" rel="self" type="application/rss+xml"/><item><title>Black Christmas (1974): The Slasher Before the Slasher</title><link>https://vo.rs/screen/black-christmas-1974-the-slasher-before-the-slasher/</link><description>&lt;p&gt;Everyone credits &lt;em&gt;Halloween&lt;/em&gt; with inventing the slasher, and everyone is roughly four years wrong. In 1974, a Florida-raised director named Bob Clark shot a low-budget horror film in Toronto about a killer hiding in the attic of a sorority house over the Christmas holidays, and in doing so laid down almost every rule the genre would spend the next decade codifying. The prowling first-person camera. The teenage victims picked off one by one in a single building. The obscene, taunting phone calls. The final young woman left alone with the threat. The killer whose face and motive you never learn. &lt;em&gt;Black Christmas&lt;/em&gt; is not a rough draft of the slasher — it is the finished blueprint, arriving before anyone knew there was a genre to blueprint.&lt;/p&gt;</description><pubDate>Sat, 21 Feb 2026 08:00:00 +0000</pubDate></item></channel></rss>