<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Pre-Code - vo.rs</title><link>https://vo.rs/tags/pre-code/</link><description>Latest from the Pre-Code desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Mon, 19 Feb 2024 11:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/pre-code/" rel="self" type="application/rss+xml"/><item><title>Freaks: The 1932 Film That Ended a Career</title><link>https://vo.rs/screen/freaks-the-1932-film-that-ended-a-career/</link><description>&lt;p&gt;In 1931 Tod Browning was one of the most bankable directors in Hollywood. He had just made &lt;em&gt;Dracula&lt;/em&gt; for Universal, minted Bela Lugosi into an icon, and could more or less write his own ticket. In 1932 he made &lt;em&gt;Freaks&lt;/em&gt; for MGM, and by the time the studio had finished mutilating it and the public had finished recoiling from it, his career was effectively over. He directed only a handful of films afterwards and retired into obscurity, a wealthy recluse largely forgotten by the industry he had helped build. Few films have cost their maker so much. Fewer still have been so thoroughly vindicated by the century that followed.&lt;/p&gt;</description><pubDate>Mon, 19 Feb 2024 11:00:00 +0000</pubDate></item></channel></rss>