<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Philip Ridley - vo.rs</title><link>https://vo.rs/tags/philip-ridley/</link><description>Latest from the Philip Ridley desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Mon, 12 Jan 2026 11:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/philip-ridley/" rel="self" type="application/rss+xml"/><item><title>The Reflecting Skin: The Prairie Gothic Nobody Saw</title><link>https://vo.rs/screen/the-reflecting-skin-the-prairie-gothic-nobody-saw/</link><description>&lt;p&gt;Some films are cursed by being too beautiful for their own subject. Philip Ridley&amp;rsquo;s &lt;em&gt;The Reflecting Skin&lt;/em&gt;, made in 1990 as the debut feature of a man better known then as a painter and playwright, is one of them. It is set in the American Midwest in the 1950s, in a country of golden wheat that runs flat to the horizon under a sky of enormous blue, and it is one of the most punishing films about childhood ever put on screen. The prettiness is the trap. Ridley photographs a genuinely horrible story in the palette of a nostalgia advert, and the collision is the point.&lt;/p&gt;</description><pubDate>Mon, 12 Jan 2026 11:00:00 +0000</pubDate></item></channel></rss>