<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Peter Medak - vo.rs</title><link>https://vo.rs/tags/peter-medak/</link><description>Latest from the Peter Medak desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Sat, 01 Jun 2024 08:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/peter-medak/" rel="self" type="application/rss+xml"/><item><title>The Changeling: The Ghost Story With the Best Séance in Film</title><link>https://vo.rs/screen/the-changeling-the-ghost-story-with-the-best-seance-in-film/</link><description>&lt;p&gt;Ask people to name the great haunted-house films and the same titles come round: &lt;em&gt;The Haunting&lt;/em&gt;, &lt;em&gt;The Innocents&lt;/em&gt;, maybe &lt;em&gt;The Others&lt;/em&gt;. Peter Medak&amp;rsquo;s &lt;em&gt;The Changeling&lt;/em&gt;, made in Canada in 1980, belongs in that company and is too often left off the list, which is a minor injustice, because it contains the single most frightening séance ever committed to film and a lead performance of shattering restraint from an actor most people associate with generals and bluster. It is the ghost story for grown-ups, and it works by whispering.&lt;/p&gt;</description><pubDate>Sat, 01 Jun 2024 08:00:00 +0000</pubDate></item></channel></rss>