<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Park Chan-Wook - vo.rs</title><link>https://vo.rs/tags/park-chan-wook/</link><description>Latest from the Park Chan-Wook desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 21 Oct 2025 11:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/park-chan-wook/" rel="self" type="application/rss+xml"/><item><title>Oldboy: The Corridor, the Twist, and Park Chan-wook's Rage</title><link>https://vo.rs/screen/oldboy-the-corridor-the-twist-and-park-chan-wooks-rage/</link><description>&lt;p&gt;&lt;em&gt;Oldboy&lt;/em&gt; has been reduced, over twenty years, to three things: a man eating a live octopus, a fight down a corridor filmed in one long sideways take, and a twist so vicious that people who have never seen the film know to be careful discussing it. That reduction does the film a disservice, because underneath the shocks Park Chan-wook made a genuine tragedy — a revenge story so total that it swallows the avenger, the target, and the audience&amp;rsquo;s own appetite for revenge along with them. Revisited now, with the initial jolt long spent, it plays less like a provocation and more like a Greek drama with the lights turned all the way up.&lt;/p&gt;</description><pubDate>Tue, 21 Oct 2025 11:00:00 +0000</pubDate></item></channel></rss>