<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Otomo - vo.rs</title><link>https://vo.rs/tags/otomo/</link><description>Latest from the Otomo desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Thu, 28 Aug 2025 10:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/otomo/" rel="self" type="application/rss+xml"/><item><title>Akira: The Anime That Sold the West on the Form</title><link>https://vo.rs/screen/akira-the-anime-that-sold-the-west-on-the-form/</link><description>&lt;p&gt;There is a shot early in &lt;em&gt;Akira&lt;/em&gt; that did more for animation in the West than a decade of arguments could. A red motorcycle brakes at speed, and instead of a cut the camera holds on the tyre laying a long streak of light down a wet Neo-Tokyo motorway, the whole machine sliding sideways with a weight and follow-through no Western cartoon of 1988 would have dared to draw. Anyone who saw that on a battered VHS tape understood in a heartbeat that animation could carry adult weight, real speed and genuine dread. &lt;em&gt;Akira&lt;/em&gt; is the film that changed the argument, and it changed it by spending money most anime never saw.&lt;/p&gt;</description><pubDate>Thu, 28 Aug 2025 10:00:00 +0000</pubDate></item></channel></rss>