<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Oshii - vo.rs</title><link>https://vo.rs/tags/oshii/</link><description>Latest from the Oshii desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Sat, 11 Oct 2025 10:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/oshii/" rel="self" type="application/rss+xml"/><item><title>Ghost in the Shell (1995): The Frames Everyone Quoted</title><link>https://vo.rs/screen/ghost-in-the-shell-1995-the-frames-everyone-quoted/</link><description>&lt;p&gt;Some films are influential in the loose sense that people took ideas from them. Mamoru Oshii&amp;rsquo;s &lt;em&gt;Ghost in the Shell&lt;/em&gt; is influential in the literal sense that people took its shots. The falling green code, the dive from a skyscraper under an invisibility cloak, the slow drift through a drowned neon city while a choir keens overhead — these are images the next thirty years of science fiction lifted, reframed and sold back to us, sometimes with the debt acknowledged and often without. It is one of the most quoted films in the genre, and the strange thing is how quiet and contemplative the original actually is.&lt;/p&gt;</description><pubDate>Sat, 11 Oct 2025 10:00:00 +0000</pubDate></item></channel></rss>