<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Organised Crime - vo.rs</title><link>https://vo.rs/tags/organised-crime/</link><description>Latest from the Organised Crime desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Mon, 17 Feb 2025 10:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/organised-crime/" rel="self" type="application/rss+xml"/><item><title>Gomorrah: The Anti-Glamour Mob Epic</title><link>https://vo.rs/screen/gomorrah-the-anti-glamour-mob-epic/</link><description>&lt;p&gt;For most of a century, the mob movie has been a seduction. From the rise-and-fall operas of the 1930s through &lt;em&gt;The Godfather&lt;/em&gt; and &lt;em&gt;Goodfellas&lt;/em&gt;, organised crime on screen has arrived wrapped in tailoring, loyalty, ritual and doomed grandeur, and even the films that end in a hail of bullets tend to make the life look, for a while, magnificent. Matteo Garrone&amp;rsquo;s &lt;em&gt;Gomorrah&lt;/em&gt; (2008) was built to demolish that. It is a crime epic with the glamour surgically removed, and what it leaves behind is closer to a horror film about a place than a drama about gangsters.&lt;/p&gt;</description><pubDate>Mon, 17 Feb 2025 10:00:00 +0000</pubDate></item></channel></rss>