<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Nudie-Cutie - vo.rs</title><link>https://vo.rs/tags/nudie-cutie/</link><description>Latest from the Nudie-Cutie desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Mon, 14 Oct 2024 11:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/nudie-cutie/" rel="self" type="application/rss+xml"/><item><title>The Immoral Mr. Teas: Russ Meyer Invents the Nudie-Cutie</title><link>https://vo.rs/screen/the-immoral-mr-teas-russ-meyer-invents-the-nudie-cutie/</link><description>&lt;p&gt;Some films matter for what they are, and a rare few matter for what they made possible. Russ Meyer&amp;rsquo;s &lt;em&gt;The Immoral Mr. Teas&lt;/em&gt; (1959) is squarely in the second category. Watched cold today it is a slight, silly, almost quaint comedy, shot in a few days for pocket change. Watched in context it is one of the most consequential low-budget films ever made in America, a small crack in a dam that had held for decades, and the starting gun for an entire commercial genre. I want to treat it here as film history rather than as titillation, because its real interest lies in what it did to the American censorship regime, and how a wedding photographer from Oakland worked out the loophole nobody else had spotted.&lt;/p&gt;</description><pubDate>Mon, 14 Oct 2024 11:00:00 +0000</pubDate></item></channel></rss>