<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Norway on vo.rs</title><link>https://vo.rs/tags/norway/</link><description>Recent content in Norway on vo.rs</description><generator>Hugo</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Wed, 03 Jun 2026 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/norway/index.xml" rel="self" type="application/rss+xml"/><item><title>The Hessdalen Lights: The Valley That Glows</title><link>https://vo.rs/unravelled/the-hessdalen-lights-the-valley-that-glows/</link><pubDate>Wed, 03 Jun 2026 09:00:00 +0000</pubDate><guid>https://vo.rs/unravelled/the-hessdalen-lights-the-valley-that-glows/</guid><description/></item><item><title>Slinningsbålet: Norway's Record-Breaking Bonfire Tower</title><link>https://vo.rs/encore/slinningsbalet/</link><pubDate>Sat, 14 Jun 2025 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/slinningsbalet/</guid><description>&lt;p&gt;Every summer in the coastal town of Ålesund, on the west coast of Norway, a group of local teenagers spends about seven weeks hand-stacking wooden pallets into a tower dozens of metres tall, without cranes or machines, and then, on the Saturday nearest midsummer, they set it on fire and burn the whole thing down in front of the town. In &lt;strong&gt;2016&lt;/strong&gt; the tower reached &lt;strong&gt;47.4 metres&lt;/strong&gt; — roughly a fifteen-storey building — and took the Guinness World Record for the world&amp;rsquo;s tallest bonfire. This is Slinningsbålet, and it is one of the most astonishing feats of pure communal stubbornness in the Nordic calendar.&lt;/p&gt;</description></item><item><title>Karmøygeddon and Blastfest: Norway's Small Metal Gatherings</title><link>https://vo.rs/encore/karmoygeddon-blastfest/</link><pubDate>Thu, 08 May 2025 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/karmoygeddon-blastfest/</guid><description>&lt;p&gt;Norway&amp;rsquo;s reputation in metal is built on the extreme, the frozen and the notorious, but the country&amp;rsquo;s festival culture is mostly a story of small, stubborn, community-scale gatherings run by people who love the music more than they love money. Two of them make an instructive pair: Karmøygeddon, a survivor that has run for two decades on a small island off the west coast, and Blastfest, a Bergen festival that arrived with real ambition, made a genuine mark, and then collapsed in three years. One is a lesson in staying small on purpose. The other is a cautionary tale about the gap between ambition and arithmetic.&lt;/p&gt;</description></item><item><title>Midgardsblot: Metal Among the Burial Mounds</title><link>https://vo.rs/encore/midgardsblot/</link><pubDate>Tue, 12 Sep 2023 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/midgardsblot/</guid><description>&lt;p&gt;Most festivals with a Viking theme are working with polystyrene longships and a rented smoke machine. Midgardsblot has the actual graves. It stages Viking and atmospheric metal at Borre in Vestfold, on the largest concentration of monumental burial mounds in northern Europe, ground where real Iron Age chieftains were actually buried more than a thousand years ago. The setting is the entire point, and it is not a set dressing anyone could fake.&lt;/p&gt;</description></item><item><title>Beyond the Gates: Bergen, Black Metal's Home Ground</title><link>https://vo.rs/encore/beyond-the-gates/</link><pubDate>Tue, 11 Apr 2023 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/beyond-the-gates/</guid><description>&lt;p&gt;If Oslo is where the Norwegian black-metal story turned violent and famous, Bergen is where a lot of it was actually recorded. The rainiest city in Europe, wedged between seven mountains and the North Sea, is where the sound itself was engineered — and Beyond the Gates is the festival that plants a flag on that home ground every August. It is a small, curated, fiercely serious extreme-metal weekend in exactly the place the genre came from.&lt;/p&gt;</description></item><item><title>Inferno: Oslo's Easter Weekend in the Dark</title><link>https://vo.rs/encore/inferno-metal-festival-oslo/</link><pubDate>Tue, 14 Feb 2023 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/inferno-metal-festival-oslo/</guid><description>&lt;p&gt;There is a specific joke in a black-metal festival landing on Easter, and everyone involved is entirely in on it. Easter is the Christian calendar&amp;rsquo;s most important weekend, the resurrection, the whole point of the thing. Inferno takes that holiday, in the country that produced the most church-hostile music scene in history, and fills Oslo&amp;rsquo;s biggest concert hall with several days of the darkest metal on earth. They call it Black Easter, and the timing is the joke and the statement at once.&lt;/p&gt;</description></item><item><title>Tons of Rock: How Oslo Learned to Throw a Proper Metal Party</title><link>https://vo.rs/encore/tons-of-rock/</link><pubDate>Tue, 24 Jan 2023 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/tons-of-rock/</guid><description>&lt;p&gt;For most of my festival life Oslo was the neighbour that didn&amp;rsquo;t have one. Norway had the money, the bands and one of the deepest metal scenes on the planet, and yet if you wanted to see a big loud outdoor bill you flew to Sweden Rock or drove to Copenhell. Then Tons of Rock arrived, and within a decade it had become the largest music festival in the whole country. That is a genuinely strange thing to have happened, and it is worth walking through how.&lt;/p&gt;</description></item></channel></rss>