<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Norman-Jewison - vo.rs</title><link>https://vo.rs/tags/norman-jewison/</link><description>Latest from the Norman-Jewison desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Mon, 23 Mar 2026 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/norman-jewison/" rel="self" type="application/rss+xml"/><item><title>Rollerball: The Corporate-Sport Dystopia</title><link>https://vo.rs/screen/rollerball-the-corporate-sport-dystopia/</link><description>&lt;p&gt;Every so often a science-fiction film invents a sport so vivid that audiences miss the argument underneath it. &lt;em&gt;Rollerball&lt;/em&gt; is the classic case. Norman Jewison spent 1975 building a spectacle of studded gloves, motorbikes and a steel ball fired down a banked circular track, and half the people who saw it walked out wanting to play. Which is exactly the trap the film was warning them about.&lt;/p&gt;
&lt;p&gt;Watch it again and the genius of the con becomes clear. Jewison made a movie whose entire thesis is that a crowd can be taught to cheer its own powerlessness, and then he made the sport thrilling enough that the crowd in the cinema does precisely that. It is a dystopia that implicates you through your own pulse rate.&lt;/p&gt;</description><pubDate>Mon, 23 Mar 2026 09:00:00 +0000</pubDate></item></channel></rss>