<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Norifumi Suzuki - vo.rs</title><link>https://vo.rs/tags/norifumi-suzuki/</link><description>Latest from the Norifumi Suzuki desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Thu, 18 Sep 2025 12:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/norifumi-suzuki/" rel="self" type="application/rss+xml"/><item><title>School of the Holy Beast: Nunsploitation With a Real Argument</title><link>https://vo.rs/screen/school-of-the-holy-beast-nunsploitation-with-a-real-argument/</link><description>&lt;p&gt;Nunsploitation is the sub-genre most people are happiest to dismiss unseen, and usually they are right to. A convent, a novice, a sadistic Mother Superior, a great deal of suffering photographed with more relish than conscience — the formula ran through European exploitation cinema in the 1970s producing mostly junk. &lt;em&gt;School of the Holy Beast&lt;/em&gt;, the 1974 Japanese entry from director Norifumi Suzuki, is the film that makes the category worth taking seriously. It is lush, blasphemous and frequently punishing, and underneath the provocation sits a genuine, sustained argument about institutional cruelty and religious hypocrisy. The provocation is the delivery system for the argument.&lt;/p&gt;</description><pubDate>Thu, 18 Sep 2025 12:00:00 +0000</pubDate></item></channel></rss>