<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Nobuhiko Obayashi - vo.rs</title><link>https://vo.rs/tags/nobuhiko-obayashi/</link><description>Latest from the Nobuhiko Obayashi desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Mon, 13 Nov 2023 12:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/nobuhiko-obayashi/" rel="self" type="application/rss+xml"/><item><title>Hausu (1977): The Haunted House as a Sugar-Rush Fever Dream</title><link>https://vo.rs/screen/hausu-1977-the-haunted-house-as-a-sugar-rush-fever-dream/</link><description>&lt;p&gt;Every so often a studio spends real money on something it does not understand, and the result is a masterpiece nobody could have commissioned on purpose. &lt;em&gt;Hausu&lt;/em&gt; — released in Japan in 1977, known in the West as &lt;em&gt;House&lt;/em&gt; — is the cleanest example I know. Toho, still chasing the disaster that &lt;em&gt;Jaws&lt;/em&gt; had done to the global box office two years earlier, wanted its own monster hit and handed the job to Nobuhiko Obayashi, a maker of glossy television commercials with no feature credits and a head full of ideas that had no business inside a mainstream horror picture. What came back is a haunted-house film that behaves like a sugar high, a nightmare, and a soft-drink advert all at once, and forty-odd years later there is still nothing else quite like it.&lt;/p&gt;</description><pubDate>Mon, 13 Nov 2023 12:00:00 +0000</pubDate></item></channel></rss>