<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Nikkatsu - vo.rs</title><link>https://vo.rs/tags/nikkatsu/</link><description>Latest from the Nikkatsu desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Sat, 15 Nov 2025 13:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/nikkatsu/" rel="self" type="application/rss+xml"/><item><title>The Pinku and Japanese Erotic-Cinema Primer</title><link>https://vo.rs/screen/the-pinku-and-japanese-erotic-cinema-primer/</link><description>&lt;p&gt;Here is the fact that reorganises everything you think you know about disreputable cinema: for most of the 1970s, some of the best-shot, most formally adventurous films made anywhere in the world were Japanese softcore. Not despite the softcore — because of it. A studio in crisis discovered that if it guaranteed a set number of erotic scenes per picture, it could hand young directors a camera, a tiny budget, a ten-day schedule and, crucially, near-total freedom over everything else. What those directors did with that bargain is one of the strangest and richest chapters in film history, and almost nobody outside Japan saw it clearly until the disc labels started restoring it.&lt;/p&gt;</description><pubDate>Sat, 15 Nov 2025 13:00:00 +0000</pubDate></item></channel></rss>