<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Nicolas Roeg - vo.rs</title><link>https://vo.rs/tags/nicolas-roeg/</link><description>Latest from the Nicolas Roeg desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Fri, 21 Nov 2025 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/nicolas-roeg/" rel="self" type="application/rss+xml"/><item><title>Don't Look Now: Editing as Premonition</title><link>https://vo.rs/screen/dont-look-now-editing-as-premonition/</link><description>&lt;p&gt;Nicolas Roeg was a cinematographer before he was a director, and &lt;em&gt;Don&amp;rsquo;t Look Now&lt;/em&gt; is the film of a man who thinks in images the way a poet thinks in rhyme. Released in 1973 and adapted from a Daphne du Maurier short story, it follows a married couple to a wintry, decaying Venice after the death of their young daughter, where the husband begins to glimpse a small red-coated figure in the alleys and a blind psychic warns that his life is in danger. On paper it is a supernatural thriller. On screen it is something stranger and greater: a film that uses the mechanics of editing to dramatise grief, foresight, and the terrible idea that time might not run in a straight line.&lt;/p&gt;</description><pubDate>Fri, 21 Nov 2025 09:00:00 +0000</pubDate></item></channel></rss>