<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>New-Wave - vo.rs</title><link>https://vo.rs/tags/new-wave/</link><description>Latest from the New-Wave desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 26 Dec 2023 11:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/new-wave/" rel="self" type="application/rss+xml"/><item><title>Daisies: Chytilová's Anarchic Feminist Provocation</title><link>https://vo.rs/screen/daisies-chytilovas-anarchic-feminist-provocation/</link><description>&lt;p&gt;There is a moment early in Věra Chytilová&amp;rsquo;s &lt;em&gt;Daisies&lt;/em&gt; — &lt;em&gt;Sedmikrásky&lt;/em&gt;, 1966 — when the two heroines, both named Marie, sit in a field and conclude that since the world is spoiled, they will be spoiled too. From that childish logic the film launches into seventy-four minutes of pure, gleeful destruction: gorging on stolen food, conning elderly men out of expensive lunches, snipping images and each other into paper collage, and finally demolishing a banquet in the most joyously anarchic food-fight ever committed to celluloid. It is one of the great provocations of the 1960s and one of the foundational works of feminist cinema, and it remains genuinely, dangerously funny.&lt;/p&gt;</description><pubDate>Tue, 26 Dec 2023 11:00:00 +0000</pubDate></item></channel></rss>