<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Na-Hong-Jin - vo.rs</title><link>https://vo.rs/tags/na-hong-jin/</link><description>Latest from the Na-Hong-Jin desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 07 Apr 2026 10:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/na-hong-jin/" rel="self" type="application/rss+xml"/><item><title>The Chaser: The Serial-Killer Thriller That Sprints</title><link>https://vo.rs/screen/the-chaser-the-serial-killer-thriller-that-sprints/</link><description>&lt;p&gt;Most serial-killer films are patient. They dole out the body count, tease the identity, and save the confrontation for the last reel. Na Hong-jin&amp;rsquo;s 2008 debut &lt;em&gt;The Chaser&lt;/em&gt; does something almost reckless: it catches the killer at the halfway mark, tells you who he is, and then discovers it has a much worse story on its hands. What do you do when you have the monster in a cell and no evidence to hold him, and a victim who might still be alive somewhere in the dark? The film&amp;rsquo;s answer is to run — literally, up and down the steep alleys of a Seoul hillside — until your own legs ache.&lt;/p&gt;</description><pubDate>Tue, 07 Apr 2026 10:00:00 +0000</pubDate></item><item><title>The Wailing: Na Hong-jin's Rain-Soaked Descent</title><link>https://vo.rs/screen/the-wailing-na-hong-jins-rain-soaked-descent/</link><description>&lt;p&gt;&lt;em&gt;The Wailing&lt;/em&gt; is a horror film about a man trying to work out what kind of horror film he is in, and failing, at a cost. Na Hong-jin&amp;rsquo;s 2016 epic — titled &lt;em&gt;Gokseong&lt;/em&gt; after the real South Jeolla county where it was shot — runs a punishing 156 minutes and spends nearly every one of them keeping its footing on wet ground. It is a rural procedural, a possession picture, a plague story, a black comedy, and a folk nightmare, and it changes its mind about which of these it is exactly as often as its hero does. The genius is that the shifting is the subject.&lt;/p&gt;</description><pubDate>Mon, 19 Dec 2016 08:00:00 +0000</pubDate></item></channel></rss>