<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Mortality - vo.rs</title><link>https://vo.rs/tags/mortality/</link><description>Latest from the Mortality desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Sat, 06 Jun 2026 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/mortality/" rel="self" type="application/rss+xml"/><item><title>The Fountain: Aronofsky's Grief Across a Thousand Years</title><link>https://vo.rs/screen/the-fountain-aronofskys-grief-across-a-thousand-years/</link><description>&lt;p&gt;Some films fail on arrival and then keep growing in the dark, and &lt;em&gt;The Fountain&lt;/em&gt; is one of them. When Darren Aronofsky&amp;rsquo;s third feature reached cinemas in 2006 it was met with bafflement, mockery and thin box office, filed away as the folly of a young director who had let ambition outrun sense. Nearly two decades on it looks like something else — one of the few genuinely sincere films about mortality that mainstream cinema has produced this century, and a work whose reputation has quietly inverted. The people who loved it loved it fiercely, and their number has only grown.&lt;/p&gt;</description><pubDate>Sat, 06 Jun 2026 09:00:00 +0000</pubDate></item></channel></rss>