<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Midnight Movies - vo.rs</title><link>https://vo.rs/tags/midnight-movies/</link><description>Latest from the Midnight Movies desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Fri, 31 Oct 2025 13:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/midnight-movies/" rel="self" type="application/rss+xml"/><item><title>The Midnight-Movie Canon</title><link>https://vo.rs/screen/the-midnight-movie-canon/</link><description>&lt;p&gt;The midnight movie is a delivery system as much as a genre. It began at the tail end of the 1960s, when a handful of New York cinemas discovered that the films too strange for a normal booking could fill a house at midnight, week after week, with the same crowd coming back to worship. The Elgin, the Waverly and the Bleecker Street cinemas turned unshowable pictures into rituals, and a distinct kind of film grew up to fill the slot: transgressive, dreamlike, often barely coherent, and always better with a room full of the converted shouting back at the screen. These are films that needed a congregation. Seen cold and alone on a laptop, many of them look like failures; seen in a packed room at one in the morning, the same films become scripture. The audience was always half the show.&lt;/p&gt;</description><pubDate>Fri, 31 Oct 2025 13:00:00 +0000</pubDate></item><item><title>Why the Midnight Movie Needs a Crowd</title><link>https://vo.rs/screen/why-the-midnight-movie-needs-a-crowd/</link><description>&lt;p&gt;You can stream &lt;em&gt;The Rocky Horror Picture Show&lt;/em&gt; tonight in perfect resolution, alone, on a screen the size of your palm, and you will have watched a mediocre film. Twenty thousand people have watched the exact same movie in a packed midnight house with rice in their hair and toast in the air and thrown themselves into a decades-old call-and-response, and they will tell you, correctly, that it is one of the great nights of their lives. Same film. The difference is the room. This is the thing the streaming era has quietly forgotten: a whole category of cinema was engineered to be completed by an audience, and without the audience the engine has no fuel.&lt;/p&gt;</description><pubDate>Wed, 18 Dec 2024 13:00:00 +0000</pubDate></item><item><title>El Topo: Jodorowsky and the Birth of the Midnight Movie</title><link>https://vo.rs/screen/el-topo-jodorowsky-and-the-birth-of-the-midnight-movie/</link><description>&lt;p&gt;There is a specific kind of film that only exists because someone decided ordinary screening hours were negotiable. Alejandro Jodorowsky&amp;rsquo;s &lt;em&gt;El Topo&lt;/em&gt; (1970) is the origin point of that idea. Before it, &amp;ldquo;midnight movie&amp;rdquo; meant a cheap horror double bill for insomniac teenagers. After it, midnight became a venue — a place where a film could gather a congregation instead of an audience, one week at a time, on word of mouth alone. More than fifty years on, the film that started the ritual remains the strangest thing to have ever done it.&lt;/p&gt;</description><pubDate>Mon, 25 Sep 2023 12:00:00 +0000</pubDate></item></channel></rss>