<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Meta-Cinema - vo.rs</title><link>https://vo.rs/tags/meta-cinema/</link><description>Latest from the Meta-Cinema desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Mon, 08 Jul 2024 11:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/meta-cinema/" rel="self" type="application/rss+xml"/><item><title>Rubber: The Killer-Tyre Film About Watching Films</title><link>https://vo.rs/screen/rubber-the-killer-tyre-film-about-watching-films/</link><description>&lt;p&gt;Pitch &lt;em&gt;Rubber&lt;/em&gt; (2010) in one sentence and it sounds like a dare you&amp;rsquo;d lose money on: a discarded car tyre comes to life in the California desert, discovers it can make things explode by force of will, and goes on a killing spree. That&amp;rsquo;s true, and it&amp;rsquo;s not remotely the whole film. Quentin Dupieux — better known to a certain crowd as the electronic musician Mr. Oizo — made the killer-tyre premise the bait for something considerably stranger: a feature-length essay on why audiences watch, disguised as the dumbest B-movie imaginable. It runs about eighty-two minutes and it is one of the few genuinely successful meta-horror comedies of its century.&lt;/p&gt;</description><pubDate>Mon, 08 Jul 2024 11:00:00 +0000</pubDate></item></channel></rss>