<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Marianne Faithfull - vo.rs</title><link>https://vo.rs/tags/marianne-faithfull/</link><description>Latest from the Marianne Faithfull desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Thu, 29 May 2025 11:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/marianne-faithfull/" rel="self" type="application/rss+xml"/><item><title>Girl on a Motorcycle: Jack Cardiff's Pop-Art Reverie</title><link>https://vo.rs/screen/girl-on-a-motorcycle-jack-cardiffs-pop-art-reverie/</link><description>&lt;p&gt;&lt;em&gt;Girl on a Motorcycle&lt;/em&gt; (1968) is a film with almost no plot and one of the most beautiful eyes in cinema behind the camera, and the tension between those two facts is the whole experience. A young woman gets out of bed before dawn, climbs into a leather catsuit, and rides a motorcycle across the French and German countryside towards her lover, and that is more or less the entire narrative. Everything interesting about the film happens in the &lt;em&gt;seeing&lt;/em&gt; rather than in the story — because the man directing it was Jack Cardiff, one of the greatest cinematographers who ever lived, and here he is turning an erotic road trip into a delirium of colour and light.&lt;/p&gt;</description><pubDate>Thu, 29 May 2025 11:00:00 +0000</pubDate></item></channel></rss>