<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>King-Diamond on vo.rs</title><link>https://vo.rs/tags/king-diamond/</link><description>Recent content in King-Diamond on vo.rs</description><generator>Hugo</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Sat, 17 Jun 2023 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/king-diamond/index.xml" rel="self" type="application/rss+xml"/><item><title>King Diamond &amp; Mercyful Fate: The Corpse-Paint Originators the World Forgot Were Danish</title><link>https://vo.rs/encore/king-diamond-and-mercyful-fate/</link><pubDate>Sat, 17 Jun 2023 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/king-diamond-and-mercyful-fate/</guid><description>&lt;p&gt;Play a certain kind of metal fan a burst of high, keening falsetto over galloping twin guitars, show them a face painted white with black around the eyes and a microphone stand built from what looks like a human femur and an inverted cross, and they&amp;rsquo;ll nod along to a story about Norwegian forests, church fires and the early 1990s. They&amp;rsquo;ll be wrong by roughly a decade and about 900 kilometres. The man who assembled most of that vocabulary was a Copenhagen singer named Kim Bendix Petersen, and he&amp;rsquo;d finished doing it before anyone in Bergen or Oslo had recorded a note. That the wider public still can&amp;rsquo;t place him — or his country — is one of the stranger accounting errors in heavy music.&lt;/p&gt;</description></item></channel></rss>