<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Karnstein Trilogy - vo.rs</title><link>https://vo.rs/tags/karnstein-trilogy/</link><description>Latest from the Karnstein Trilogy desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Sun, 27 Apr 2025 11:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/karnstein-trilogy/" rel="self" type="application/rss+xml"/><item><title>Twins of Evil: Hammer's Puritans-vs-Vampires Morality Play</title><link>https://vo.rs/screen/twins-of-evil-hammers-puritans-vs-vampires-morality-play/</link><description>&lt;p&gt;Most Hammer vampire films know exactly who the villain is: the aristocrat in the castle with the appetite and the cape. &lt;em&gt;Twins of Evil&lt;/em&gt; (1971) is the one that hedges the question, and it is the better for it. The film hands you a monster in the castle, all right — a decadent count dabbling in Satanism — and then plants directly opposite him a second, human monster: a fanatical witch-hunter burning innocent girls in the name of God. For most of its length &lt;em&gt;Twins of Evil&lt;/em&gt; is a study of two fanaticisms, the supernatural and the puritanical, circling a pair of young women caught between them. That it comes packaged as a piece of early-1970s exploitation, with all the sensationalism the era demanded, only makes the moral seriousness underneath more surprising.&lt;/p&gt;</description><pubDate>Sun, 27 Apr 2025 11:00:00 +0000</pubDate></item></channel></rss>