<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Jennifer Kent - vo.rs</title><link>https://vo.rs/tags/jennifer-kent/</link><description>Latest from the Jennifer Kent desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 09 Sep 2014 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/jennifer-kent/" rel="self" type="application/rss+xml"/><item><title>The Babadook: The Monster in the Basement of the Mind</title><link>https://vo.rs/screen/the-babadook-the-monster-in-the-basement-of-the-mind/</link><description>&lt;p&gt;Jennifer Kent&amp;rsquo;s &lt;em&gt;The Babadook&lt;/em&gt; (2014) arrived wearing the costume of a haunted-house film and turned out to be a study of a woman drowning in grief while raising a child she cannot always bring herself to love. That gap between the costume and the thing underneath is the film&amp;rsquo;s whole method, and it is why the picture has outlasted a hundred slicker ghost stories from the same years. The monster in the top hat is a magnificent piece of design. The horror is somewhere else entirely, in a suburban Adelaide house where a mother has not slept properly in six years.&lt;/p&gt;</description><pubDate>Tue, 09 Sep 2014 09:00:00 +0000</pubDate></item></channel></rss>