<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>In-Ear-Monitors - vo.rs</title><link>https://vo.rs/tags/in-ear-monitors/</link><description>Latest from the In-Ear-Monitors desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Sun, 18 Apr 2021 13:24:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/in-ear-monitors/" rel="self" type="application/rss+xml"/><item><title>In-Ear Monitors and the Death of the Wedge</title><link>https://vo.rs/encore/in-ear-monitors-and-the-death-of-the-wedge/</link><description>&lt;p&gt;Watch a big touring band from side-stage and you will notice the floor is emptier than it used to be. No wall of speaker boxes angled up at the singer&amp;rsquo;s face, no monitor engineer sweating over a separate desk trying to keep six wedges from howling into feedback at once. Most of what the band hears now arrives through a small wireless pack on the belt and a pair of custom-moulded earpieces, sealed tight enough to double as hearing protection. The wedge — the loud floor monitor that defined how a stage sounded to the people standing on it for the better part of fifty years — is still around, but it has quietly gone from the default to the exception. That change happened for good reasons, and it cost something too.&lt;/p&gt;</description><pubDate>Sun, 18 Apr 2021 13:24:00 +0000</pubDate></item></channel></rss>