<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Hugh Jackman - vo.rs</title><link>https://vo.rs/tags/hugh-jackman/</link><description>Latest from the Hugh Jackman desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 18 Mar 2025 11:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/hugh-jackman/" rel="self" type="application/rss+xml"/><item><title>Prisoners: Villeneuve's Faith, Torture, and the Maze</title><link>https://vo.rs/screen/prisoners-villeneuves-faith-torture-and-the-maze/</link><description>&lt;p&gt;Two families share Thanksgiving dinner in a grey Pennsylvania town. The two youngest daughters go outside to play and do not come back. Within twenty minutes &lt;em&gt;Prisoners&lt;/em&gt; has activated the single most reliable panic button in cinema — a child gone, a parent helpless — and then it does the thing that separates it from the disposable abduction thrillers it superficially resembles: it refuses to let the panic burn off. Denis Villeneuve&amp;rsquo;s 2013 English-language debut runs two and a half hours and spends every one of them tightening. It is the most sustained piece of dread a major studio released that decade, and it is also a genuinely serious film about what fear licenses a decent person to do.&lt;/p&gt;</description><pubDate>Tue, 18 Mar 2025 11:00:00 +0000</pubDate></item></channel></rss>