<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Hideo Nakata - vo.rs</title><link>https://vo.rs/tags/hideo-nakata/</link><description>Latest from the Hideo Nakata desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Wed, 22 Nov 2023 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/hideo-nakata/" rel="self" type="application/rss+xml"/><item><title>Ringu: The Well, the Tape, and the Slowest Dread in Horror</title><link>https://vo.rs/screen/ringu-the-well-the-tape-and-the-slowest-dread-in-horror/</link><description>&lt;p&gt;Watch a lot of horror and you develop a tolerance to speed — to the cut, the sting, the sudden face in the mirror. What breaks the tolerance is patience, and &lt;em&gt;Ringu&lt;/em&gt; is the most patient horror film that ever became a global phenomenon. Hideo Nakata&amp;rsquo;s 1998 picture moves at the pace of an investigation, quiet and procedural, a journalist chasing a rumour about a videotape that kills its viewers seven days after they watch it. For most of its length nothing leaps at you. The dread accumulates like cold water rising in a well, and by the time it reaches your throat you have forgotten you were ever safe.&lt;/p&gt;</description><pubDate>Wed, 22 Nov 2023 09:00:00 +0000</pubDate></item></channel></rss>