<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Henry James - vo.rs</title><link>https://vo.rs/tags/henry-james/</link><description>Latest from the Henry James desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Thu, 16 Oct 2025 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/henry-james/" rel="self" type="application/rss+xml"/><item><title>The Innocents (1961): Ambiguity as the Scariest Ghost</title><link>https://vo.rs/screen/the-innocents-1961-ambiguity-as-the-scariest-ghost/</link><description>&lt;p&gt;The scariest ghost in &lt;em&gt;The Innocents&lt;/em&gt; might be that there is no ghost at all. Jack Clayton&amp;rsquo;s 1961 film, adapted from Henry James&amp;rsquo;s 1898 novella &lt;em&gt;The Turn of the Screw&lt;/em&gt;, is a haunted-house picture that never once lets you be certain the house is haunted. It hands you two complete and incompatible explanations for everything you see, keeps both alive from the first frame to the last, and lets the friction between them do the work that lesser films assign to a monster. Six decades on it remains the finest ghost film in the English language, and one of the most quietly radical.&lt;/p&gt;</description><pubDate>Thu, 16 Oct 2025 09:00:00 +0000</pubDate></item></channel></rss>