<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Harvey Keitel - vo.rs</title><link>https://vo.rs/tags/harvey-keitel/</link><description>Latest from the Harvey Keitel desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 16 Jul 2024 10:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/harvey-keitel/" rel="self" type="application/rss+xml"/><item><title>Reservoir Dogs: The Heist Where You Never See the Heist</title><link>https://vo.rs/screen/reservoir-dogs-the-heist-where-you-never-see-the-heist/</link><description>&lt;p&gt;The jewellery store robbery that the entire film revolves around never appears on screen. Six professionals in black suits and skinny ties walk into a job, and the next thing we see is one of them bleeding out across the back seat of a getaway car. Quentin Tarantino, twenty-nine years old and directing his first feature on roughly a million and a quarter dollars, made a heist film and then simply declined to show you the heist. That decision was born of a tiny budget — you cannot stage a robbery with squibs and stunt drivers on that money — and Tarantino turned the limitation into the film&amp;rsquo;s governing idea. &lt;em&gt;Reservoir Dogs&lt;/em&gt; is about aftermath. It lives in the empty warehouse where the survivors gather to work out who tipped off the police, and it never leaves.&lt;/p&gt;</description><pubDate>Tue, 16 Jul 2024 10:00:00 +0000</pubDate></item></channel></rss>