<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Grindcore on vo.rs</title><link>https://vo.rs/tags/grindcore/</link><description>Recent content in Grindcore on vo.rs</description><generator>Hugo</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 14 Jun 2022 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/grindcore/index.xml" rel="self" type="application/rss+xml"/><item><title>The Blast Beat: How the Double-Kick Conquered Metal</title><link>https://vo.rs/encore/the-blast-beat/</link><pubDate>Tue, 14 Jun 2022 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/the-blast-beat/</guid><description>&lt;p&gt;There is a sound at the far end of loud music that stops feeling like drumming and starts feeling like weather. Kick, snare and cymbal fire together at a speed the human ear cannot separate into individual hits, and the whole thing becomes a wall of grey static with a pulse buried in it. That is the blast beat, and once you know how it is built you cannot un-hear it — in the pit it is the difference between a fast song and a genuinely overwhelming one.&lt;/p&gt;</description></item></channel></rss>