<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Gothenburg Metal on vo.rs</title><link>https://vo.rs/tags/gothenburg-metal/</link><description>Recent content in Gothenburg Metal on vo.rs</description><generator>Hugo</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 10 Jan 2023 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/gothenburg-metal/index.xml" rel="self" type="application/rss+xml"/><item><title>In Flames: Gothenburg's Giant and the Sellout Wars</title><link>https://vo.rs/encore/in-flames/</link><pubDate>Tue, 10 Jan 2023 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/in-flames/</guid><description>&lt;p&gt;There is no argument in metal quite as long-running or as bitter as the one about In Flames. For twenty-odd years a section of their own audience has treated the band as traitors, and the band has kept selling more records anyway. It is a genuinely fascinating fight, because the thing being fought over is not really In Flames at all. It is the ownership of an entire genre.&lt;/p&gt;
&lt;p&gt;In Flames formed in Gothenburg in 1990, founded by guitarist Jesper Strömblad, and they belong to the small group of bands who effectively invented melodic death metal on Sweden&amp;rsquo;s west coast. The full architecture of that scene — the twin-guitar harmonies, the Iron Maiden melodies welded to death metal aggression — is a story I have told at length in the piece on &lt;a href="https://vo.rs/encore/the-gothenburg-sound/"&gt;the Gothenburg sound&lt;/a&gt;. In Flames were one of its three founding pillars, alongside At the Gates and Dark Tranquillity, and for a stretch in the mid-nineties they were arguably the most tuneful of the lot.&lt;/p&gt;</description></item></channel></rss>