<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Gloria Grahame - vo.rs</title><link>https://vo.rs/tags/gloria-grahame/</link><description>Latest from the Gloria Grahame desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Fri, 04 Apr 2025 10:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/gloria-grahame/" rel="self" type="application/rss+xml"/><item><title>In a Lonely Place: Bogart's Most Frightening Role</title><link>https://vo.rs/screen/in-a-lonely-place-bogarts-most-frightening-role/</link><description>&lt;p&gt;Humphrey Bogart plays a Hollywood screenwriter named Dixon Steele in &lt;em&gt;In a Lonely Place&lt;/em&gt;, and for the first twenty minutes you think you know the film. Washed-up talent, wisecracks sharper than the room deserves, a cynicism worn like a good coat. Then a young woman is murdered after leaving his apartment, Dix becomes the prime suspect, and the film begins to do something almost no noir of 1950 dared. It stops asking whether he did it and starts asking whether you would want to be in a room with him regardless. By the end, that second question is the only one that matters, and it is far more disturbing than any answer to the first.&lt;/p&gt;</description><pubDate>Fri, 04 Apr 2025 10:00:00 +0000</pubDate></item></channel></rss>