<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>George Romero - vo.rs</title><link>https://vo.rs/tags/george-romero/</link><description>Latest from the George Romero desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Fri, 26 Apr 2024 13:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/george-romero/" rel="self" type="application/rss+xml"/><item><title>Why Zombies Keep Changing What They Mean</title><link>https://vo.rs/screen/why-zombies-keep-changing-what-they-mean/</link><description>&lt;p&gt;The vampire has a castle, a wardrobe, a personality and a set of rules you can break. The werewolf has a calendar. The zombie has nothing. It has no lair, no seductive intelligence, no origin story worth the name, no individual identity — it is a body with the person scooped out, moving in a crowd of other emptied bodies. And this poverty, which ought to make it the dullest monster in the catalogue, is precisely why it has outlasted almost all the others as a vehicle for meaning. You cannot pour much into a monster that already means something. The zombie means nothing on its own, so every era fills it with whatever that era is afraid of. The blankness is the whole trick.&lt;/p&gt;</description><pubDate>Fri, 26 Apr 2024 13:00:00 +0000</pubDate></item></channel></rss>