<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Genre Theory - vo.rs</title><link>https://vo.rs/tags/genre-theory/</link><description>Latest from the Genre Theory desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 15 Oct 2024 13:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/genre-theory/" rel="self" type="application/rss+xml"/><item><title>Why Every Decade Rediscovers Folk Horror</title><link>https://vo.rs/screen/why-every-decade-rediscovers-folk-horror/</link><description>&lt;p&gt;Folk horror is the genre that will not stay in the past, which is fitting for a
genre entirely about the past refusing to stay buried. It surfaces in waves — a
cluster of films in the early 1970s, a long quiet, then a full-blown revival in the
2010s that has not yet run out — and each wave arrives at a moment when the modern
world feels thin and the old ground underneath it starts showing through. The
recurrence is the interesting thing. Slashers and zombies boom and bust on
fashion; folk horror comes back on a &lt;em&gt;cycle&lt;/em&gt;, and the cycle tracks something real
about the times that summon it.&lt;/p&gt;</description><pubDate>Tue, 15 Oct 2024 13:00:00 +0000</pubDate></item></channel></rss>