<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Francis-Ford-Coppola - vo.rs</title><link>https://vo.rs/tags/francis-ford-coppola/</link><description>Latest from the Francis-Ford-Coppola desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Fri, 31 Oct 2025 10:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/francis-ford-coppola/" rel="self" type="application/rss+xml"/><item><title>The Conversation: Coppola's Surveillance Nightmare</title><link>https://vo.rs/screen/the-conversation-coppolas-surveillance-nightmare/</link><description>&lt;p&gt;Francis Ford Coppola made three films in a row that would have been any other director&amp;rsquo;s whole career, and the middle one is the one nobody talks about first. &lt;em&gt;The Godfather&lt;/em&gt; came in 1972. &lt;em&gt;The Godfather Part II&lt;/em&gt; came at the end of 1974. Wedged between them, released that same spring and shot on a fraction of the budget, is &lt;em&gt;The Conversation&lt;/em&gt; — the small, cold, personal picture Coppola has repeatedly said is the one closest to him. It won the Palme d&amp;rsquo;Or at Cannes in 1974. It then had the bad luck to be up against Coppola&amp;rsquo;s own sequel at the Oscars, which is a level of self-competition that borders on the comic.&lt;/p&gt;</description><pubDate>Fri, 31 Oct 2025 10:00:00 +0000</pubDate></item></channel></rss>