<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Film-Scores - vo.rs</title><link>https://vo.rs/tags/film-scores/</link><description>Latest from the Film-Scores desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 09 Jul 2024 14:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/film-scores/" rel="self" type="application/rss+xml"/><item><title>The Ten Best Horror Scores</title><link>https://vo.rs/screen/the-ten-best-horror-scores/</link><description>&lt;p&gt;A horror film can survive a cheap monster, a wooden lead, a plot that leaks air. It rarely survives a bad score, because in horror the music reaches the part of you that reason cannot argue with — the animal listening for the wrong sound in the dark. These ten scores do the actual work of frightening you, sometimes with a full orchestra, sometimes with a synthesiser bought on a shoestring, once with almost nothing at all. For the mechanics of why they land, see &lt;a href="https://vo.rs/screen/how-a-horror-score-rewires-the-audience/"&gt;how a horror score rewires the audience&lt;/a&gt;; what follows is the listening list, arranged so you can hear the genre teaching itself across sixty years.&lt;/p&gt;</description><pubDate>Tue, 09 Jul 2024 14:00:00 +0000</pubDate></item></channel></rss>